Typography
![Typografie 12 Geïllustreerde Letters](https://www.lucienderoeck.be/wp-content/uploads/2019/11/12lettres_illustrees.jpg)
Typography
Each piece of work produced by De Roeck revealed interesting details and bore witness to his great skills. He unveiled an effective technique in a black-red design (BBOU), which addressed two methods for forming the inner shape of a ‘B’ with or without rounded corners. Lucien De Roeck also left a few examples of calligraphic art, such as the name of the four seasons.
![Typografie Vier Seizoenen Lente](https://www.lucienderoeck.be/wp-content/uploads/2019/11/lente-970x1240.jpg)
![Typografie Vier Seizoenen Zomer](https://www.lucienderoeck.be/wp-content/uploads/2019/11/zomer_bew-970x1240.jpg)
![Typografie Vier Seizoenen Herfst](https://www.lucienderoeck.be/wp-content/uploads/2019/11/herfst-970x1239.jpg)
![Typografie Vier Seizoenen Winter](https://www.lucienderoeck.be/wp-content/uploads/2019/11/winter_bew-1-970x1241.jpg)
![Typografie SCAB](https://www.lucienderoeck.be/wp-content/uploads/2019/11/scab-970x606.jpg)
![Typografie BBOU](https://www.lucienderoeck.be/wp-content/uploads/2019/11/bbou-970x465.jpg)
Monumental inscriptions for the Belgian pavilion
at the World’s Fair in Paris, 1937.
Newspaper headlines
![Typografie La Lanterne Krantenkop](https://www.lucienderoeck.be/wp-content/uploads/2019/11/la_lanterne-970x154.jpg)
![Typografie Le Phare Krantenkop](https://www.lucienderoeck.be/wp-content/uploads/2019/11/le_phare-970x166.jpg)
![Typografie Le Quotidien Krantenkop](https://www.lucienderoeck.be/wp-content/uploads/2019/11/le_quotidien-970x151.jpg)
![Typografie La Terre Krantenkop](https://www.lucienderoeck.be/wp-content/uploads/2019/11/la_terre-970x373.jpg)